Saturday, February 26, 2011

Fears


-In 2002, I feared bin Laden would pay Japan out, causing them to atomize Washington State, which would cause Bush to send all troops at Japan, which would cause the nation to be invaded by Cuba, Iraq and Afghanistan.
-The USA’s economy will collapse and China will swoop in and makes us slaves to their atheism and appetite.
-China will demand that we remove Freedom of Religion, or they will increase interest rates to 100% or start an embargo.
-Miley Cyrus is the antichrist, here to corrupt us all.
-The Beatles were satanic.
-Miley’s nothing but a lying money-lover who cares nothing about God or people or what happens to them.
-I will be forced to make my documentary be titled “Please, for the love of all that is good and holy, do not let your children be professional musicians, they will forget Christ.”
-Nintendo will be so tight with Team Ninja that they will force me to make Samus weak and straight, instead of strong and lesbian (it’s not overt in how I wrote it, but it is a subtle wink there).
-Miley will decide to never be in an animated Nintendo movie, no matter how fun/edgy it could be.
-The Nationals will get to the World Series before the Mariners do.
-My documentary will cause people to hate Jesus even more than they do now.
-By finding out the truth, my friends and family will hate me forever.

Friday, February 25, 2011

Other Possible 3rd-Party Characters

Some other 3rd-Party characters I've considered (and wouldn't say no to being included) in my Brawl movie are listed below.
Capcom: Chun-Li (from Street Fighter), Morrigan, Felicia (from Darkstalkers).
SNK: Mai Shiranui, Yuri Sakazaki, Kasumi, King, Blue Mary (from King of Fighters).
The thing that keeps them from me putting them on a high priority is that Capcom may only want one character present in the movie, I can't choose between Chun-Li and Mai, and Jill, Lara and Tifa are more important to me as third-party characters.

Sunday, February 20, 2011

Some goals

-See all teams in Major League Baseball at least once.
-See every Mariners Turn Back the Clock Game.
-See Miley Cyrus, Demi Lovato, Frank and Derol, Paramore, Billy Ray Cyrus and 1964 the Tribute whenever they come to Puget Sound area.
-Move to my own place.
-Work in film.
-Minister to Christian celebrities.
-Print my book.
-Make a spiritual film with Miley Cyrus, Demi Lovato and Brandi Cyrus.
-Make a Mario-fueled video game movie trilogy.
-Be a voice actor.

Saturday, February 19, 2011

Character bios 3

Here are some more bios for characters in the Mario films.  Not sure if I'll post them all.


Luigi:
Height: 5’5”
Weight: 115 pounds
Special abilities: Fireballs from hands, green missile attack, fairly athletic
Weaknesses: Timid
Desires: To hang out with his bro, Mario, and marry Daisy.
Luigi is Mario’s younger twin brother, adventurous yet cautious.  Luigi usually has more anxiety about situations than his older sibling, and tends to hold back on adventures somewhat.  However, if the chips are down and Mario or Daisy are threatened, Luigi summons his courage and charges into action.  Luigi is very close to his brother, while Mario may choose to adventure on his own, Luigi will always want to partner with his brother on an adventure.  Luigi can also jump higher than his brother, helping them on adventures.

Daisy:
Height: 5’9”
Weight: 129 pounds
Special abilities: can play every sport ever made well, very athletic, highly spunky
Weaknesses: fairly naïve.
Desires: To be the best sportmeister, to hang out with Luigi, toughen him up and marry him.
The ruler of Sarasaland, Princess Daisy is Princess Peach’s cousin.  While her cousin focuses more on ruling and spending time with friends, Daisy is a competitive athletic tomboy.  However, she is still very close to Peach, and is the surrogate mother to Baby Peach and Baby Daisy, whom she adores and can be quite maternal to.  Daisy loves to play sports and hang out with Peach, Samus, Zelda and Jill.  Daisy is boisterous and fun-loving; her only weakness is that she is somewhat trusting.  If used against her, prepare for a beating, Daisy doesn’t take kindly to being fooled.

Link:
Height: 6’
Weight: 145 pounds
Special abilities: Skilled with a sword, boomerang, bombs, arrows and other weapons
Weaknesses: None
Desires: To defeat evil and continue the bloodline of Links.
The current generation’s representative of the line of the heroes of courage, Link is cold and fairly distant.  A no-nonsense hero, Link fights for the Triforce and seeks to end Ganondorf’s life eventually (or at least banish him to the Dark Realm again).  Mario and Zelda have some degree of friendship with Link, but they mostly seek to warm his heart.  Link cares only about the mission, however, and is immune.  He is also pretty much the only follower of the ancient Hylian religion, almost everyone else has converted to Christianity.  Link is the kind of person you’d want to be, not tied down and powerful.

Snake:
Height: 6’
Weight: 145 pounds
Special abilities: skilled with firearms and martial arms.
Weaknesses: None
Desires: crush the enemies.
The ultimate commando, Snake is a product of science, a perfect clone of Snake Eater.  He tends to do as he pleases and has a degree of impulsivity.  Snake uses firearms and bombs to get the job done, and likes to pummel his opponents.  He has no tolerance for his enemies’ existence and uses his weapons to eliminate them with extreme prejudice.  Snake also enjoys testing his strength against other warriors and has a perverted side to him, as well.

Sonic:
Height: 5’
Weight: 100 pounds
Special Abilities: Running speeds in excess of mach 1
Weaknesses: can be cocky.
Desires: defeat the enemies for justice.
A cocky teenaged embodiment of the wind, Sonic the Hedgehog doesn’t like being tied down.  Sonic likes to do what he wants when he wants and speeds through fields to trounce opponents.  He likes to pull pranks and fight for justice, protecting his friends from the evil schemes of Dr. Eggman.  Sonic and Mario have a mutual respect for each other, and enjoy fighting side-by-side.  Sonic is very proud of his speed and uses it to his advantage at every possibility.

Tifa:
Height: 5’10”
Weight: 137 pounds
Special abilities: skilled with martial arts, can adapt well
Weaknesses: None known
Desires: Win the Fight for justice and have wedded bliss with Cloud Strife.
Tifa is a kind soul who has friendships with the many patrons of her bar, which is located in Rose Town.  Tifa’s best friends are Peach, Aerith and Yuffie, whom she always treats well.  She also possesses a stone of the powerful Morph Materia, capable of doing vast changes, a fire materia stone, as well as the Growth materia, which can make anything grow.  When peace is threatened, Tifa will use the Materia and her martial arts skills to fight evil, pummeling them with her fists and feet.

Lara Croft:
Height: 5’10”
Weight: varies
Special abilities: athletic ability, armed with pistols.
Weaknesses: will grab cursed artifacts, which will curse her
Desires: To collect all the artifacts
A British archaeologist, Lara Croft is much like Indiana Jones.  She hunts artifacts to bring them to her museum, sometimes, she will visit the Mushroom Kingdom to help Princess Peach.  She freed her friendly Doppelganger, who became her traveling sidekick on occasion.  Lara lives for the thrill of the chase, swimming and running through temples for fun.  The two have been ordered to care for holy artifacts and keep them from evil hands, and Lara fights bravely to ensure that the world will be as safe in the future as it is now.

Thursday, February 17, 2011

Why Miley, Demi, Brandi and Billy Ray?

A question that would be on everyone’s lips and minds would be “of all the Christians in all the world, Why did you pick Miley Cyrus, her sister Brandi and Miley's friend Demi Lovato?”  It all started when I was three, as detailed in a two-year old essay about “Ready, Set, Don’t Go,” attached below. 


            For my piece of music that focused on words, I chose the #4 Country Single of 2007, Ready, Set, Don’t Go, written by Billy Ray Cyrus and Casey Beathard.  In order to understand the conceptualization process of Ready, Set, Don’t Go, a fair amount of knowledge of the life of its creator, Billy Ray Cyrus, is required.  Billy Ray Cyrus was born on August 25th, 1961 in Flatwoods, Kentucky, the son of Little League Coach and Steel Mill Worker, later Kentucky State Legislator Ron Cyrus and grandson of Eldon Cyrus, a Pentecostal Preacher.  Billy Ray started singing with his father in the Crownsmen Gospel Quartet when he was five, and in college, decided to give up his goals of being a professional baseball player to sing and write songs for a living.  In 1992, that dream came to fruition, with his first single, “Achy Breaky Heart” topping the country charts and climbing to the #4 spot on the Pop charts, due to its unique country-pop style.  Due to the fun romp of the song, Billy Ray Cyrus’ first album, Some Gave All, spent 34 weeks atop the country charts and 17 weeks atop the Hot Billboard charts, earning Multi-Platinum honors.  Also in 1992, Billy Ray Cyrus married Tish Finley, and was blessed with a daughter, Destiny Hope Cyrus, the first child of that marriage.  Billy Ray released many more albums with Mercury Records, earning six top ten singles, three singles of the year and an album of the year.  After his album of the year, Shot Full of Love, Billy Ray Cyrus and Mercury Records parted ways and the country star went into acting, appearing as the lead in the independent film Radical Jack and having a bit appearance in David Lynch’s Mulholland Drive.  His most famous acting role was Doc, a TV show on PAX where he played Dr. Clint Cassidy, the lead role.  Billy Ray also contributed the show’s theme song and spent the years on the show living in Ontario, far from his Tennessee family.  After finishing the show and releasing his Gospel album, The Other Side, Billy Ray Cyrus decided to make one last album, go on tour one last time, then retire to spend time with his family, feeling that he was missing the childhood of his kids.  However, shortly after returning to Tennessee, Billy Ray’s daughter Destiny Hope, now nicknamed Miley for her frequent smiles, had a surprise.  Having been bitten by the acting bug on a brief visit to Ontario where she played a girl named Kylie in Doc, Miley had successfully auditioned for and gotten the lead role on the newest Disney Channel sitcom, Hannah Montana.  The Cyrus family would have to move to California and they did so, Billy Ray staying behind briefly to tie up some loose ends.  As he saw the U-Haul leaving, his family inside, Billy Ray Cyrus wrote Ready, Set, Don’t Go, and then gave it to his songwriting friend Casey Beathard to refine it.  It was then recorded for Walt Disney Records by Billy Ray Cyrus and placed as the first song on his album for Walt Disney Records, Home At Last.  As a single, the song fared well, like most of Billy Ray’s works, reaching #33 on the charts.  Billy Ray Cyrus, who had been given the role of Miley’s character’s father, performed it acoustically on Hannah Montana, then a duet version of Billy Ray Cyrus and his daughter Miley was performed on Dancing With the Stars.  This version was later released as a single, rocketing to #4 on the Country charts.  Home At Last was re-released with the duet version attached as a bonus track and the duet was also released on the compilation album Country Sings Disney.  The song also received the Most Played Song Songwriter’s Award in 2008.  Billy Ray Cyrus also sang the song at Miley’s 16th Birthday Party in Disneyland, and the duet version was performed at the Country Music Awards in 2008, as well as the Kids’ Inaugural, a celebration of the election of President Barack Obama, with Miley singing her lyrics differently, having more soul in them.
            What makes Ready, Set, Don’t Go unique?  Well, many elements give the song a truly unique and interesting feel, making it stand apart from other Country songs, or even other Billy Ray Cyrus songs.  Unlike most tracks from Billy Ray Cyrus, the song begins with the haunting sound of a guitar tuning, briefly interrupted by two piano chords.  Soon, the acoustic guitars begin playing their chords, an electric guitar playing in the background.  The lyrics are in Native Ballad form, a form derived from Ballads in Europe, story songs with emphasis on four syllables the first line, three syllables the next, then switching between the two.  In Native Ballad form, emphasis is usually found on eight syllables, then six.  “She’s gotta do what she’s gotta do/and I’ve got to like it or not/She’s got dreams too big for this town and she needs to give them a shot, wherever they are/Looks like she’s already to leave, nothin’ left to pack/Ain’t no room for me in that car, even if she asked me to tag along/God, I’ve gotta be strong.”  The Chorus switches up the form, now using short long with emphasis on the ends of lines.  “She’s at the starting line/ of the rest of her life/ ready as she’s ever been/Got the hunger and/ stars in her eyes/the prize is hers to win/She’s waitin’ on my blessin’s ‘fore she hits that open road/oh, baby get ready, get set, don’t go.”  Unlike the Native Ballads of old, however, Billy Ray Cyrus puts passion into the words, as he always does.  The song is sung with Billy Ray’s voice seeming near heartbreak, during the choruses it almost feels as though Billy Ray Cyrus will burst into tears after singing them.  In the duet, Miley also brings passion, however, she seems fairly excited by contrast.  In the Kid’s Inaugural version, though, Miley brings the passion, but is not excited that her dreams are coming true, instead, she appears to be passionate that she has the chance to sing this song with her father again.  The most surprising things about this song are its lack of what people consider country music, the scope of instruments involved and the fade out ending.  Country Music has been traditionally identified usually as men wearing cowboy outfits, strumming on an acoustic guitar and singing about breaking up.  Billy Ray Cyrus has never been an artist like that.  Sure, he sings about breaking up and has been seen with a cowboy hat and boots, but it is rare to find a song of his without a drum set delivering the rhythm and this song continues the trend, prominent drumbeats occur from the first verse onward.  The scope of instruments in this song is much more vast than traditional country, containing electric guitars, acoustic guitars, a mandocello, drums, keyboard and other percussion.  The audio for this song also sounds crisper than most of his previous albums, something almost magical seems to hang on every note and word, maybe due to the fact that the song was recorded and released by the famous Walt Disney records, who have released amazing musical films and successful albums like their Disneymania series over the years.  The last surprise is the fade out ending.  Like some of Billy Ray Cyrus’ previous works, the song is structured as verse 1-chorus-verse 2-chorus-chorus.  After the last chorus, which ends with Billy Ray’s surprising word painting (where the lyrics match the words being said, i.e.: high if singing about moon, sky or sun) “please don’t go” which is said briefly and to the point without backup instruments, the song slowly continues with only instruments, Billy Ray repeating “she’s gotta do what she’s gotta do,” as well as calling out “don’t go.”  In the duet version, itself a surprise to the already existing song, during this part Miley repeats “let me go now, I’m ready,” and hauntingly calls back “I’ll be all right/I’ll be okay/know that I’ll be thinking of you each and every day.”
            Why did I pick Ready, Set, Don’t Go?  There lies a story almost as old as its conception.  In 1992, “Achy Breaky Heart” was everywhere, and as such, it was easy to hear.  My first recollection of hearing the song was on America’s Funniest Home Videos, then hosted by Bob Saget.  The fun combination of guitar, catchy lyrics and pop dance beat were exciting to a three-year-old as I was.  Over the years, the song was heard again at a roller-skating rink in Lynden and as the parody about electricity on Bill Nye the Science Guy.  Due to the Southern Baritone voice and fun, hip-swinging beat, I thought for years the song had been sung by Elvis Presley, and with none of Billy Ray’s other hits getting so high on the charts, plus a lack of country music in my life, there was nothing to contradict this statement.  Then, in 2006, Destiny Hope “Miley” Cyrus became a household name due to her musically fun and Full House-esque moral show Hannah Montana.  I was someone who got attracted to the show, after all, fun pop music, snappy lines, catchphrases and a guide for a good way to live your life, what more could you want in a television show?  It was then that I discovered Billy Ray Cyrus, who plays Miley’s father on the show in addition to being her father in real life, was the artist of the catchy Achy Breaky Heart from my childhood.  In December 2007, I decided to finally buy the CDs to the show, enjoying hearing the popular songs from the show in full as well as Miley’s first steps to her own career as herself.  Mileymania had hit me hard and I needed more, so I turned to her father’s album, Home At Last, where she was also singing.  The fact that the first track, the above Ready, Set, Don’t Go, was featured on Hannah Montana didn’t hurt, and the album began my now-exceedingly expansive collection of Billy Ray Cyrus albums, all started by the amazing combination of covers and original songs that is Home At Last.  Why was Ready, Set, Don’t Go singled out, then?  Several reasons.  One, I don’t know why Don Von Tress wrote Achy Breaky Heart, and the statement that a singer-songwriter had to be the author of the song eliminated it, Billy Ray Cyrus didn’t write Achy Breaky Heart, but he contributed the catchy words “Achy Breaky” after meeting a friend who was going through a divorce.  Second, Ready, Set, Don’t Go is a newer song, enabling easy track of its performances, I don’t know when Billy Ray Cyrus performed his hits “Some Gave All” or “Stand” as they are not singles.  Third, the song has both Billy Ray and Miley Cyrus.  Both artists are easily capable of producing quality work; most tracks by them received five stars on my iTunes.  However, picking a song only one had sung was difficult, so I picked their only duet single, Ready, Set, Don’t Go.  My opinions about the song are that this is one of Billy Ray Cyrus’ saddest and most passionate pieces, only his cover of Over the Rainbow later in the album and his Acoustic Version of “Some Gave All” from Time Flies pass it in the sadness factor.  Billy Ray Cyrus and Casey Beathard have constructed a masterpiece by which Billy Ray Cyrus will forever be known.  If this song doesn’t make those who only think of Billy Ray as a one-hit wonder change their minds, nothing will.  Forever, this song will remind us that we must hold onto our children as they grow up, as they will leave their parents one day.

Now, some may say “Miley’s failed as a Christian, why pick her still?  And where did Demi come from?”  I don’t know if she’s necessarily failed, I’ve read Dietrich Bonhaeffer’s works, he asked, “do we have a romanticized view of sin, or a more realistic Christian view of sin?”  All have sinned; no one is exempt, no matter how much we desire it.  Miley Ray Cyrus has been selected due to her amazing music, an internal thump from God and to say “God can forgive anyone.”  Miley does pretty well considering, as well, and I love her dedication to stopping cancer, cystic fibrosis and for people to “get their good on.”  I also loved Miley’s book, it shows a very real person who is very kind and very funny.  Demi was added through feeling the same thump, her music, her friendship to Miley and my brother’s girlfriend’s love of them both.  Brandi was included due to a dream involving all three, the same thump and an enjoyment of Frank and Derol's music.  I’ve thought many a time about using Selena Gomez instead of Miley, but what does that say?  That says only the good get forgiveness; that God picks and chooses favorites and doesn’t forgive those who fall, even if they want it.  The idea behind the band is to see a collection of Christian Pop Artists playing Gospel music, since that would be awesome.  If it’s going to happen is mainly up to those involved, but I imagine they’d be a great band, especially if they play their songs as well as Gospel/new songs (especially if the new songs are Pop, Hard Rock and CCM). 

Tuesday, February 15, 2011

God's power

Well, I was thinking it was possibly over and slipping into self-doubt and loathing again, until I turned on the radio, trying to turn on my iPod.  The radio played "Voice of Truth" by Casting Crowns, and now, I feel like what I've written is good, I may not know if BRC will be in it, but I feel the higher calling for this story and concert once more.

EDIT: During work, an idea came to me that maybe it would just be a documentary of Miley, Demi and Brandi in a band, discussing Faith, music, Advent and Christmas, ending with a concert that may feature Billy Ray Cyrus and Hayley Williams playing in the band.

Analysis of John Lennon's song "God"


Analysis of lyrics in John Lennon’s “God” This was included to give a new perspective on the song.
“God” lyric
Interpretation
God is a concept by which we measure our pain
In John Lennon’s eyes, people for the most part only believe in God when they feel like there’s nothing they can do.
I’ll say it again
This implies that the previous statement is important and that everyone needs to hear it if they weren’t listening the first time
God is a concept by which we measure our pain
See above.  It also refers to God as a concept, suggesting that He isn’t real.
I don’t believe in magic
Magic is a popular plot device in fantasy.  It is something introduced to us as children to give the world a sense of wonder.  A disbelief in it suggests that all wonder has been seen and found to be nothing.
I don’t believe in I-Ching
The I-Ching is a book of Eastern Philosophy that states that nothing is coincidence, everything is meant to happen and that all things are interconnected.  George Harrison used the concept to find the phrase “gently weeps” in a book, from which he wrote “While My Guitar Gently Weeps.”  A disbelief in it suggests that one doesn’t believe in fate.
I don’t believe in the Bible
The Bible is the doctrine/guideline (depending on your denomination) of Christian belief, the ultimate focus of which is that God loves you, you should love Him back, love your neighbor as yourself and that God is in control of history.  A rejection of this is a rejection of Christianity as well as a rejection of fate.
I don’t believe in tarot
Tarot cards are an art of fortune telling often believed to be related to the devil.  Like the two above, it suggests a disbelief in fate, making the John Lennon who wrote this a far cry from the one who wrote “don’t you know it’s gonna be all right?” in Revolution.
I don’t believe in Hitler
Adolf Hitler was a cruel, harsh man who was worshipped by the Nazis.  He is hailed by the KKK and Neo-Nazis today and is history’s most clear warning on the dangers of an overabundance of conservatism.  A disbelief in him is a disbelief in using violence to accomplish goals.
I don’t believe in Jesus
Jesus of Nazareth is the Holy, begotten son of God who chose to die the death of a criminal for the sake of people.  A disbelief in Jesus suggests self-loathing (I am worthless, why would anyone die for me), a faith in one’s eyes and science above all else (I can’t see how Genesis corresponds to reality, so it must not be real) and/or a thorough disapproval of the Christian Church (these people act like greedy morons and say Jesus told them to do so, therefore, He must be bad).
I don’t believe in Kennedy
John F. Kennedy was America’s “golden boy,” a 35-year-old president that supported civil rights who was killed by Lee Harvey Oswald.  To this day, conspiracy theories persist about his death, claiming that communists, the mod, Lyndon B. Johnson and even George Bush Sr. are responsible.  A disbelief in Kennedy suggests an annoyance with politic worship (a modern-day version may say Clinton, Bush or Obama in Kennedy’s stead).
I don’t believe in Buddha
Buddha was an Indian Prince who chose to dedicate his life to religion.  His religion details the importance of listening to re-incarted “enlightened ones,” namely, the Dalai Lama.  As such, a disbelief in him suggests a rejection of idol worship.
I don’t believe in mantra
A mantra is a Hindu code, which you must apply to your life in that religion.  A disbelief in mantras is a rejection of Hinduism and a belief that such rules are useless.
I don’t believe in Gita
This took some research.  Gita is short for the Bhagavad Gita, a book of Hindu scripture.  It details most of the Hindu beliefs, as such; not believing in it is a rejection of Hinduism.
I don’t believe in yoga
Yoga is an exercise form that is popular in Eastern Culture.  I think it has roots in the Karma Sutra; it tries to relax your body and mind through various forms.  A disbelief in yoga suggests a disbelief in various crazes that hit people in countries, as yoga was one such craze.
I don’t believe in kings
Kings are rulers of countries, though they are much less popular now.  The inclusion here may refer to Lennon’s controversial return of his MBE due to England’s continued support of Vietnam.  It may also say he rejects authority figures.
I don’t believe in Elvis
Elvis Presley was a southern Rock and Roll artist hailed as the King of Rock and Roll.  Lennon idolized Elvis early in his career; his inclusion here suggests disillusionment with his idol.
I don’t believe in Zimmerman
This also took some research.  Apparently, Zimmerman was Bob Dylan’s birth name, though the line could also refer to a socialist activist or a magician/pianist, all seem suitable in Lennon’s rejection of idols.  If it is Dylan, as is the most likely case, John Lennon is expressing further disillusionment and annoyance with celebrity worship.
I don’t believe in The Beatles
The Beatles, rock and roll’s best band, were John Lennon and three of his closest friends, Paul McCartney, George Harrison and Ringo Starr (who actually plays drums on this track).  By not believing in The Beatles, John is not only turning his back on his past, he is also expressing annoyance at the public for treating his band like gods.
I just believe in me
At the moment, John only needs himself to get out of his pain, nothing organized has helped him deal with his issues.
Yoko and me
See above, add that either A.) he’s still obsessed with Yoko Ono, seeing her as an almost-messianic figure (Don’t Let Me Down, Dig a Pony, I Want You (She’s So Heavy)) or that he needs her to help him through his pain.
And that’s reality
This line suggests that anything else one worships is fiction.
The dream is over
This line suggests that either religious people are merely dreaming and need to be awoken, or that John’s dream with The Beatles is over.  Atheist critics use this line to describe dwindling populations of Religious People.  The dream that The Beatles and Lennon were gods is over.
What can I say?
What more can John Lennon say?  To him, religion is nothing now and he wants something real to believe in, and everything he once believed in led him nowhere.
The dream is over
See above
Yesterday
This may be a reference to Paul McCartney’s song.  If so, it implies that religion is like a drug (Marxism), or combined with the following line, it suggests that The Beatles were worshipped and John Lennon is sick of being treated like a god when he’s only a man.
I was the dreamweaver
Referring to his life with The Beatles, John is saying the crazy days of psychedelic music that he was loved for are over.  He’s done being a Beatles member, done being a god.
But now I’m reborn
True story: John and Yoko shaved their heads and declared 1970 Year 0 after The Beatles broke up.  To put it simply, John was thoroughly done with everything he was admired for, sick of the public’s empty praise.
I was the Walrus, but now I’m John
Further showing his removal from being hailed as a god, John Lennon refers to “I Am the Walrus,” a song he has translated as being “I am the one.”  He no longer wishes to be “the one,” he just wants to be himself.
And so, dear friends, you’ll just have to carry on.
John is saying everyone must now carry the weight of their own pain and not rely on a savior, deal with their own issues.
The dream is over
See above
I have now heard this song.  Truly painful, it details that John doesn’t want to be admired as a god any more.  The film is over; all that’s left is a big room with a sticky floor and stale popcorn.  He’s sick of the empty praise and idle idol worship that goes, you’re loved one day, hated the next, forgotten the day after.  I cried my eyes out, wanting to just hug him and ease his pain, but I can’t.  He’s dead, gone, left this world with only memories and echoes.

Alternate setlists for the Crowners

Trying to be constructive about this, I made two alternate setlists.

1.)    La La Land (Demi Lovato)
2.)    Let’s Get Together (Frank and Derol)
3.)    When I Look At You (Miley Cyrus)
4.)    These Four Walls (Miley Cyrus)
5.)    Praise You in this storm (Casting Crowns cover, Miley, Demi, Codi and Brandi)
6.)    U Got Nothing on Me (Demi Lovato)
7.)    Spotlight (Miley Cyrus)
8.)    GNO (Miley Cyrus)
9.)    That’s What You Get (Hayley Williams)
10.) Back and Forth (Frank and Derol)
11.) Forgiveness and Love (Miley Cyrus)
12.) Hallelujah (Hayley Williams)
13.) Stained Glass Masquerade (Casting Crowns cover, Miley)
14.) While My Guitar Gently Weeps (Demi and Miley)
15.) Set Me Free (Casting Crowns Cover, Miley Cyrus)
16.) I Want You (She’s So Heavy) (Demi and Miley)
17.) Jesus Freak (DC Talk cover, sung by Miley and Demi)
18.) Party  (Demi Lovato)
19.) Can’t Be Tamed (Miley Cyrus)
20.) Face of God (Billy Ray Cyrus)
21.) Ready Set Don’t Go (BRC and MRC)
22.) Lie To Me (Billy Ray Cyrus)
23.) Here We Go Again (Demi Lovato)
24.) Achy Breaky Heart (Billy Ray Cyrus)
25.) The Climb (Miley Cyrus)

 
1.)    La La Land (Demi Lovato)
2.)    Let’s Get Together (Frank and Derol)
3.)    When I Look At You (Miley Cyrus)
4.)    These Four Walls (Miley Cyrus)
5.)    Praise You in this storm (Casting Crowns cover, Miley, Demi, Codi and Brandi)
6.)    U Got Nothing on Me (Demi Lovato)
7.)    Spotlight (Miley Cyrus)
8.)    GNO (Miley Cyrus)
9.)    That’s What You Get (Hayley Williams)
10.) Back and Forth (Frank and Derol)
11.) Forgiveness and Love (Miley Cyrus)
12.) Hallelujah (Hayley Williams)
13.) Stained Glass Masquerade (Casting Crowns cover, Miley)
14.) While My Guitar Gently Weeps (Demi and Miley)
15.) Set Me Free (Casting Crowns Cover, Miley Cyrus)
16.) I Want You (She’s So Heavy) (Demi and Miley)
17.) Jesus Freak (DC Talk cover, sung by Miley and Demi)
18.) Party  (Demi Lovato)
19.) Can’t Be Tamed (Miley Cyrus) 
20.) Face of God (Billy Ray Cyrus cover) 
21.) I Love Rock and Roll (Miley)
22.) Here We Go Again (Demi Lovato)
23.) Gimme Back My Bullets/Double Trouble/Free Bird (Lynyrd Skynyrd covers medley, Miley and Demi)
24.) The Climb (Miley Cyrus)